The lower Action List panel is configured so that when the Filter Conditions are met (ie. In the upper Filter Conditions panel, the Input Transformer is instructed to look for the MIDI note D0 (the Last Event is Equal to note 26/D0) and to understand that the filter condition is still being satisfied while the ‘Note is playing’ (ie. In the main screenshot, though, you can see how I’ve set up Module 1 so that when you press a keyswitch the incoming notes are assigned to MIDI channel 2 - so HSSE’s second instrument plays instead. and your DIY keyswitch can achieve the same thing for instruments that lack this feature.Īssuming your external MIDI keyboard is set to transmit on MIDI channel 1, the instrument in the HSSE’s first slot will be the default sound. Some virtual instruments offer velocity‑based sound switching. The four Module tabs, each activated by a small ‘power’ button, allow you to configure up to four independent Input Transformer setups, all of which operate on the same input signal. The Input Transformer window looks similar to the Logical Editor: in an upper Filter Conditions panel you specify which MIDI events you want to trigger an action and, beneath, an Action List panel specifies what actions will be performed when those MIDI events are detected. With Local, selected here, only the current track’s MIDI input will be affected. Global means the Input Transformer actions you create will apply to the incoming data on all the project’s MIDI and Instrument tracks. To access the Input Transformer click on the ‘squiggly arrow’ button in the top‑most Inspector panel, and you’ll see three options: Off, Global and Local. Also note the instance of the MIDI Monitor plug‑in that I’ve placed in the track’s MIDI Insert panel this lets you see, as you experiment, exactly what MIDI data is reaching HSSE. I’ve constrained the MIDI note range to C1‑G8 for each sound, so as to free up the MIDI notes below C1 for use as DIY keyswitches. By default, these sounds respond to MIDI channels 1, 2 and 3, respectively. The main screenshot shows an example which switches between different sounds in the first three channels of an instance of HALion Sonic SE (HSSE). But for those that don’t, you can turn to the Input Transformer. Many sample libraries have the ability to keyswitch between different sounds (for example, string section performance articulations). In this article, I’ll walk you through some simple examples that demonstrate the possibilities. This is a more streamlined tool that operates in real time on incoming MIDI data and it’s capable of performing some very useful tricks. Most Cubase users will know of the Logical Editor, which is an amazingly powerful tool for transforming MIDI parts you’ve already recorded, but the Pro edition of Cubase also includes the Input Transformer. The Input Transformer can do all sorts of useful things to incoming MIDI signals. Effect plug ins incl.Cubase Pro’s Input Transformer somewhat intimidating but capable of some very useful tricks.More than 90 High-end audio and MIDI effect plugins, virtual instruments like HALion Sonic SE 3, Groove Agent SE 5, Padshop, Retrologue 2 and LoopMash 2.Intelligent composition tools such as Chord Track and Chord Assistant.Supports up to 256 physical inputs and outputs.Unlimited number of simultaneously usable audio and MIDI tracks.Dimensions (W x H x D): 267 x 47 x 208 mm.Compatible with Windows, macOS and iOS (Apple Camera Connection Kit, Lightning to USB Camera Adapter or Lightning to USB 3 Camera Adapter required).Latency-free DSP-supported monitoring with REV-X Hall, Channel Strip and Guitar Amp Classics (also included as VST 3 PlugIn). 2 Separate headphone jacks with individual outputs.2 Monitor outputs: 6.3 mm jack (balanced).Hi-Z switch on input 1/2 for instrument signals.4 Analogue XLR/jack combo inputs plus 2 line inputs.Rupert Neve Designs transformer switchable at any front input.4 Class-A D-PRE microphone preamps with +48V phantom power.Consisting of Steinberg UR-RT4 audio interface + Steinberg Cubase 11 and Steinberg Cubasis LE.
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